Monday, May 31, 2010

Heidi Montag and Spencer Pratt announced the separation

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    Well, Heidi Montag and Spencer Pratt were separated, and the representative of Heidi from the announcement Friday afternoon, like any celebrity couple "of others, in the hope of minimizing the public relations and fashion. As short as the history of civilization was, Heidi & Spencer a commitment ceremony in Mexico in November 2008. then held a lavish wedding in April 2009, which was also for her reality show filmed, The Hills have. get both a lot of Flack, that his first marriage was not legally binding (and the civil marriage that was wrong too) to follow, but reported an official license and must be for the second time these last few weeks we have a lot of rumors that the marriage of Heidi and Spencer was a year is in trouble.


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    The stories on the control of behavior increasingly erratic and Spencer, including the U.S. Weekly cover concentrated in two weeks "The Battle of Heidi: Did you brainwashed. "It seems hard to separate fact from fiction with this couple who win more interested as holders of public perception. The voices seem real, even though the break, and I thought that the stories passed through the walls Spencer . These two are not enough decent players to withdraw a complicated system. And now I'm lost - perhaps. Sounds like a half-ass in the air the ad. Heidi Montag "has by her husband, Spencer Pratt, TMZ has learned separately.

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    TMZ is representative Heidi Heidi tries to leave because of all the bad press controls false Spencer. She is tired of her and search the place and wants to concentrate on his acting career. "We are told Heidi - represented here in Malibu last Friday - is to try a new place to live ... Malibu. As TMZ first report, Heidi and Spencer have called the police to the mother Heidi few weeks ago. .. It was so much confusion. A source close to Heidi and Spencer told TMZ the tension in the relationship for some time ... "It was not just a sudden thing." Now it makes sense ... Heidi until Tuesday, I am not Heidi Pratt, Heidi Montag, I am. "

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    [From TMZ] I know - like Heidi from the house of junk you are looking for charter with Spencer, or has already done? Not announced separation regardless whether you are just trying to get out. The people are reported as unconfirmed and it seems that Heidi not happy, but not yet ready to leave the relationship. If rejected, the search for an ad or a bit of both, remains to be seen. None of them seemed to be the head support what I think they were right made for each other. Everybody mad uneven . Spencer has a kind of Crystal Healing / kick military, while Heidi believes that all problems can be solved with the operation and make it unrecognizable. If both were very superficial and glory in search of work, but ..
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Sandra Bullock meets with her daughter for lunch every day to prevent paparazzi

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    Radar Online has information to show the fate of Sandra Bullock that she has managed to hide from the paparazzi, although the star on the question of the moment. Sandra was at the luxurious Beverly Hills, but it is advisable to avoid photographers. Celebrity Paparazzi called Houdini. "He was known to have been at the hotel earlier this week his, although his current location is unknown. I think it is reasonable to assume that all the paparazzi photos that we saw after the scandal Sandra have been carefully orchestrated. I have great admiration for the way they handled this whole scandal. Even the ones I saw were probably approved before. I would have liked his condemnation of the conduct of her husband to hear, but don 'are only a part of me that is out for revenge.

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    It was elegant, yet open to respect and understand why they treated the way they are. It is a smart and tough. Under the radar report: Several sources have said RadarOnline.com Bullock spent a few days in the hotel to stay mostly out of sight and deliberately avoid the paparazzi are so desperate to be photographed as part of the confessions betray Jesse James "Nightline" on ABC. "It has become the biggest celebrity Houdini", a photographer RadarOnline.com. "You can escape any situation - but it does it without being seen." There were a few photos of the Oscar as the revelation of some James. And their public statements about her husband were good, given what he has done for them.

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    She filed for divorce in Texas. Beverly Hills Hotel is located in the privacy of its customers exceptional, this is the nightmare of hungry paparazzi snap of Los Angeles. Such protection, with luxury hotels and private bungalows, makes it an excellent choice for a celebrity Bullock. His movements were so secret that all the paparazzi is certain is that since it was early this week, but quickly lost track of. "She was," said a source RadarOnline.com. "But who knows, could make tomorrow in New Orleans." [Radar] Sandra could live there for the quiet time with your spouse, still living with his father, Jesse James. Star Magazine reports that he had lunch, at the hotel with some 'Sun, May 6 23 His story of how Sandra brought gifts for Sunny is sweet and pulls my heart. dressed Writing "The girls in the same dress in black and white rice in his arms and plays with a sketch Etch A increased during the meal. At some point, Sunny, also the tiara placed on her smile stepmother" to give up Imagine Sandra , a life with a girl she helped to enlarge and get one or two visits with her in the coming months. Sandra Jesse betrayed not leave to their children to live with the woman who planned to take had to be there for them as they grew up. It should not be considered as Sunny, the fact that there crying at the same age when he was mistreated. Jesse is, however, and when he was hurt when he hurts everyone around him .. with his selfishness .

    [sandra_bullock_04.jpg]Source URL: https://meganfoxbuzz.blogspot.com/2010/05/
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Lindsay Lohan is a delusional narcissist fasting

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    I know, I know. Two stories depending on crack today. What can I do, I just saw these pictures of Lindsay walking in the financing of the campaign yesterday. After Fame Pictures, the new girlfriend of Lindsay Lohan continues its mission, so that only soft drinks, such as leaves Fred Segal in Santa Monica, CA 27th May 2010, Hide with a flamed orange juice over jeans SCRAM ankle bracelet with discretion. "Meanwhile, Lindsay clubs in the last two nights has gone.

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    TMZ reported yesterday that Lindsay was up to 2 bar clock on Wednesday evening and this morning told People magazine that Lindsay was hopping New - no alcohol, but he looks nothing like a hole - not even an ankle bracelet monitoring can keep Lindsay Lohan on the club. taken with her new blonde hair, the star in Las Palmas in Los Angeles, clad in jeans and a hat. Laughter and smoke all night, avoiding alcohol and Lohan was honored with his group of friends. Lohan even danced around his office, Britney Spears sings during the busy evening.

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    [In] The people who go to clubs with Lindsay these people are? I mean, what is the budget? It's like the Boys Club to do with anything better? However, Lindsay has to notify his probation officer every night on the phone - the poor devil. Lindsay seems, is now at the Los Angeles club scene in Los Angeles, make sure that you want to use something beautiful, and tied everything wrong with the SCRAM bracelet. Then, at midnight last night, Lindsay foot "Chanel can please help me for stickers to put on my wrist so I can at least SCRAM wear a nice dress?" Hello? "X". A small hole. [From Twitter Lindsay] What is the Stone Cold Sober also (apparently), Lindsay is still a delusional narcissist, who is sitting around the creation of theater, break a whimper and F-cking idiot. At one point we must realize that this is a F-cking is personality. Speaking of his lies, said, remembers Johnny Depp came in and said goodbye? LaineyGossip denies that bullsh-t. And here a picture courtesy of Gawker pleasure - Lindsay is with the awarding of the "hide". There are, like, a million of them. It's funny when he says he does not want to be photographed ..
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Wednesday, May 26, 2010

Michael Angelo’s Amazing Paintings On The Sistine Chapel

    Michelangelo (full name: Michelangelo di Lodovico Buonarroti Simoni) was born at Caprese, a village in Florentine territory, where his father, named Ludovico Buonarroti Simoni was the resident magistrate. A few weeks after Michelangelo's birth the family returned to Florence, and, in 1488, after overcoming parental opposition he was formally apprenticed to Domenico Ghirlandaio for a term of three years. Later in life Michelangelo tried to suppress this fact, probably to make it seem that he had never had an ordinary workshop training; for it was he more than anyone else who introduced the idea of the 'Fine Arts' having no connection with the craft that painting had always previously been.
    Michael Angelo’s Amazing Paintings On The Sistine ChapelMichael Angelo’s Amazing Paintings On The Sistine Chapel
    His stay in the Ghirlandaio shop must also have coincided with his beginning to work as a sculptor in the Medici Garden, where antiques from their collection were looked after by Bertoldo. Although this connection drew him into the Medici circle as a familiar, the account by Vasari of an established 'school' is now discredited. It must, however, have been Ghirlandaio who taught him the elements of fresco technique, and it was probably also in that shop that he made his drawings after the great Florentine masters of the past (copies after Giotto and Masaccio; now in the Louvre, in Munich, and in Vienna). Michelangelo produced at least two relief sculptures by the time he was 16 years old, the Battle of the Centaurs and the Madonna of the Stairs (both 1489-92, Casa Buonarroti, Florence), which show that he had achieved a personal style at a very early age.
    In 1492, Lorenzo de' Medici died. Michelangelo then studied anatomy with the help of the Prior of the Hospital of Sto Spirito, for whom he appears to have carved a wooden crucifix for the high altar. A wooden crucifix found there (now in the Casa Buonarroti) has been attributed to him by some scholars. The next few years were marked by the expulsion of the Medici and the gloomy Theocracy set up under Savonarola, but Michelangelo avoided the worst of the crisis by going to Bologna and, in 1496, to Rome. He settled for a time in Bologna, where in 1494 and 1495 he executed several marble statuettes for the Arca (Shrine) di San Domenico in the Church of San Domenico.
    Michael Angelo’s Amazing Paintings On The Sistine ChapelMichael Angelo’s Amazing Paintings On The Sistine ChapelIn Rome he carved the first of his major works, the Bacchus (Florence, Bargello) and the St Peter's Pietà, which was completed by the turn of the century. It is highly finished and shows that he had already mastered anatomy and the disposition of drapery, but above all it shows that he had solved the problem of the representation of a full-grown man stretched out nearly horizontally on the lap of a woman, the whole being contained in a pyramidal shape.
    The Pietà made his name and he returned to Florence in 1501 as a famous sculptor, remaining there until 1505. During these years he was extremely active, carving the gigantic David (1501-4, now in the Accademia), the Bruges Madonna (Bruges, Notre Dame), and beginning the series of the Twelve Apostles for the Cathedral which was commissioned in 1503 but never completed (the St Matthew now in the Accademia is the only one which was even blocked in). At about this time he painted the Doni Tondo of the Holy Family with St John the Baptist (Florence, Uffizi) and made the two marble tondi of the Madonna and Child (Florence, Bargello; London, Royal Academy).
    Michael Angelo’s Amazing Paintings On The Sistine ChapelMichael Angelo’s Amazing Paintings On The Sistine ChapelMichael Angelo’s Amazing Paintings On The Sistine Chapel

    After the completion of the David in 1504 he began to work on the cartoon of a huge fresco in the Council Hall of the new Florentine Republic, as a pendant to the one already commissioned from Leonardo da Vinci. Both remained unfinished and the grandiose project of employing the two greatest living artists on the decoration of the Town Hall of their native city came to nothing. Of Michelangelo's fresco, which was to represent the Battle of Cascina, an incident in the Pisan War, we now have a few studies by him and copies of a fragment of the whole full-scale cartoon which once existed (the best copy is the painting in Lord Leicester's Collection, Holkham, Norfolk). The cartoon, which is known as the Bathers, was for many years the resort of every young artist in Florence and, by its exclusive stress on the nude human body as a sufficient vehicle for the expression of alt emotions which the painter can depict, had an enormous influence on the subsequent development of Italian art - especially Mannerism - and therefore on European art as a whole. This influence is more readily detectable in his next major work, the ceiling of the Sistine Chapel. In fact, however, the Battle of Cascina was left incomplete because the Signoria of Florence found it expedient to comply with a request from the masterful Pope Julius II, who was anxious to have a fitting tomb made in his lifetime.
    The Julius Monument was, in Michelangelo's own view, the Tragedy of the Tomb. This was partly because Michelangelo and Julius had the same ardent temperament - they admired each other greatly - and very soon quarrelled, and partly because after the death of Julius in 1513, Michelangelo was under constant pressure from successive Popes to abandon his contractual obligations and work for them while equally under pressure from the heirs of Julius, who even went so far as to accuse him of embezzlement. The original project for a vast free-standing tomb with forty figures was substantially reduced by a second contract (1513), drawn up after Julius's death; under this contract the Moses, which is the major figure on the extant tomb, was prepared as a subsidiary figure. Two others, the Slaves in the Louvre, were made under this contract but were subsequently abandoned. The third contract (1516) was followed by a fourth (1532), and a fifth and final one in 1542, under the terms of which the present miserably mutilated version of the original conception was carried out by assistants, under Michelangelo's supervision, in S. Pietro in Vincoli (Julius's titular church) in 1545. Michelangelo was then 70 and had spent nearly forty years on the tomb.
    Michael Angelo’s Amazing Paintings On The Sistine ChapelMichael Angelo’s Amazing Paintings On The Sistine ChapelMeanwhile, the original quarrel of 1506 with Julius was made up and Michelangelo executed a colossal bronze statue of the Pope as an admonition to the recently conquered Bolognese (who destroyed it as soon as they could, in 1511). In 1508, back in Rome, he began his most important work, the ceiling of the Sistine Chapel in the Vatican for Julius, who, as usual, was impatient to see it finished. Dissatisfied with the normal working methods and with the abilities of the assistants he had engaged, Michelangelo determined to execute the whole of this vast work virtually alone. Working under appalling difficulties (amusingly described in one of his own poems), most of the time leaning backwards and never able to get far enough away from the ceiling to be able to see what he was doing, he completed the first half (the part nearer to the door) in 1510. The whole enormous undertaking was completed in 1512, Michelangelo being by then so practised that he was able to execute the second half more rapidly and freely. It was at once recognized as a supreme work of art, even at the moment when Raphael was also at work in the Vatican Stanze. From then on Michelangelo was universally regarded as the greatest living artist, although he was then only 37 and this was in the lifetimes of Leonardo and Raphael (who was even younger). From this moment, too, dates the idea of the artist as in some sense a superhuman being, set apart from ordinary men, and for the first time it was possible to use the phrase 'il divino Michelangelo' without seeming merely blasphemous.
    Michael Angelo’s Amazing Paintings On The Sistine ChapelThe Sistine Ceiling is a shallow barrel vault divided up by painted architecture into a series of alternating large and small panels which appear to be open to the sky. These are the Histories. Each of the smaller panels is surrounded by four figures of nude youths - the Slaves, or Ignudi - who are represented as seated on the architectural frame and who are not of the same order of reality as the figures in the Histories, since their system of perspective is different. Below them are the Prophets and Sibyls, and still lower, the figures of the Ancestors of Christ. The whole ceiling completes the chapel decoration by representing life on earth before the Law: on the walls is an earlier cycle of frescoes, painted in 1481-82, representing the Life of Moses (i.e. the Old Dispensation) and the Life of Christ (the New Dispensation). The Histories begin over the altar and work away from it (though they were painted in the reverse direction): the first scene represents God alone, in the Primal Act of Creation, and the story continues through the rest of the Creation to the Fall, the Flood, and the Drunkenness of Noah, representing the human soul at its furthest from God. The whole conception owes much to the Neoplatonic philosophy current in Michelangelo's youth in Florence, perhaps most in the idea of the Ignudi, perfect human beauty, on the level below the Divine story. Below them come the Old Testament Prophets and the Seers of the ancient world who foretold the coming of Christ; while the four corners have scenes from the Old Testament representing Salvation. The Prophet Jonah is above the altar, since his three days in the whale were held to prefigure the Resurrection. On the lowest parts - and very freely painted - are the human families who were the Ancestors of Christ. There can be no doubt that the splendour of the conception and the size of the task distracted Michelangelo from the Tomb, but he at once returned to it as soon as the ceiling was finished, from 1513 to 1516, when he returned to Florence to work for the Medici. (For details on the frescoes in the Sistine Chapel take a guided tour.)
    His new master was Pope Leo X, the younger son of Lorenzo de Medici, who had known Michelangelo from boyhood; he now commissioned him to complete the façade of S. Lorenzo, the family church in Florence. Michelangelo wasted four years on this and it came to nothing. In 1520 he began planning the Medici Chapel, a funerary chapel in honour of four of the Medici - two of them by no means the most glorious of their family. The chapel is attached to S. Lorenzo. Leo X died in 1521 and it was not until after the accession of another Medici Pope, Clement VII, in 1523 that the project was resumed. Work began in earnest in 1524 and at the same time he was commissioned to design the Laurenziana Library in the cloister of the same church. Both these buildings are turning-points in architectural history, but the sculptural decoration of the chapel (an integral part of the architecture) was never completed, although the figures of Giuliano and Lorenzo de' Medici set over their tombs, eternally symbolizing the Active and the Contemplative Life, above the symbols of Time and Mortality - Day and Night, Dawn and Evening - are among his finest creations. The unfinished Madonna was meant to be the focal point of the chapel.
    In 1527, the Medici were again expelled from Florence, and Michelangelo, who was politically a Republican in spite of his close ties with the Medici, took an active part in the 1527-29 war against the Medici up to the capitulation in 1530 (although in a moment of panic he had fled in 1529) and supervised Florentine fortifications. During the months of confusion and disorder in Florence, when he was proscribed for his participation in the struggle, it would appear that he was hidden by the Prior of S. Lorenzo. A number of drawings on the walls of a concealed crypt under the Medici Chapel have been attributed to him, and ascribed to this period. After the reinstatement of the Medici he was pardoned, and set to work once more on the Chapel which was to glorify them until, in 1534, he left Florence and settled in Rome for the thirty years remaining to him.
    He was at once commissioned to paint his next great work, the Last Judgement on the altar wall of the Sistine Chapel, which affords the strongest possible contrast with his own Ceiling. He began work on it in 1536. In the interval there had been the Sack of Rome and the Reformation, and the confident humanism and Christian Neoplatonism of the Ceiling had curdled into the personal pessimism and despondency of the Judgement. The very choice of subject is indicative of the new mood, as is the curious fact that the mouth of Hell gapes over the altar itself where, during services, stands a crucifix symbolizing Christ standing between Man and Doom. It was unveiled in 1541 and caused a sensation equalled only by his own work of thirty years earlier, and was the only work by him to be as much reviled as praised, and only narrowly to escape destruction, though it did not escape the mutilation of having many of the nude figures 'clothed' after his death. Most of the ideas of Mannerism are traceable implicitly or explicitly in the Judgement and, more than ever, it served to imprint the idea that the scope of painting is strictly limited to the exploitation of the nude, preferably in foreshortened - and therefore difficult - poses. Paul III, who had commissioned the Judgement, immediately commissioned two more frescoes for his own chapel, the Cappella Paolina; these were begun in 1542 and completed in 1550. They represent the Conversion of St Paul and the Crucifixion of St Peter.
    Michelangelo was now 75 years old. Earlier, in 1538-39, plans were under way for the remodeling of the buildings surrounding the Campidoglio (Capitol) on the Capitoline Hill, the civic and political heart of the city of Rome. Although Michelangelo's program was not carried out until the late 1550s and not finished until the 17th century, he designed the Campidoglio around an oval shape, with the famous antique bronze equestrian statue of the Roman emperor Marcus Aurelius in the center. For the Palazzo dei Conservatori he brought a new unity to the public building façade, at the same time that he preserved traditional Roman monumentality. However, since 1546 he had been increasingly active as an architect; in particular, he was Chief Architect to St Peter's and was doing more there than had been done for thirty years. This was the greatest architectural undertaking in Christendom, and Michelangelo did it, as he did all his late works, solely for the glory of God.
    In his last years he made a number of drawings of the Crucifixion, wrote much of his finest poetry, and carved the Pietà (now in Florence Cathedral Museum) which was originally intended for his own tomb, as well as the nearly abstract Rondanini Pietà (Milan, Castello). This last work, in which the very forms of the Dead Christ actually merge with those of His Mother, is charged with an emotional intensity which contemporaries recognized as Michelangelo's 'terribilità'. He was working on it to within a few days of his death, in his 89th year, on 18 February 1564. There is a whole world of difference between it and the 'beautiful' Pietà in St Peter's, carved some sixty-five years earlier.
    Unlike any previous artist, Michelangelo was the subject of two biographies in his own lifetime. The first of these was by Vasari, who concluded the first (1550) edition of his 'Vite' with the Life of one living artist, Michelangelo. In 1553 there appeared a 'Life of Michelangelo' by his pupil Ascanio Condivi (English translations 1903, 1976 and 1987); this is really almost an autobiography, promoted by Michelangelo to correct some errors of Vasari and to shift the emphasis in what Michelangelo regarded as a more desirable direction. Vasari, however, became more and more friendly with Michelangelo and was also his most devoted and articulate admirer, so that the very long Life which appears in Vasari's second edition (1568), after Michelangelo's death, gives us the most complete biography of any artist up to that time and is a trustworthy guide to the feelings of contemporaries about the man who can lay claim to be the greatest sculptor, painter and draughtsman that has ever lived, as well as one of the greatest architects and poets. He is the archetype of genius.
    Pure fresco was his preferred painting technique; he despised oil-painting, though the now authenticated unfinished Entombment (London, National Gallery) is in oil over a tempera underpainting. The Doni Tondo is in tempera. In sculpture, his usual method was to outline his figure on the front of the block and, as he himself wrote, to 'liberate the figure imprisoned in the marble', by working steadily inwards, with perhaps a few more finished details. Occasionally he made drawings for parts of a figure, and a few small wax models survive as well as one large one, made for the guidance of assistants working on the Medici Chapel figures. The four abandoned Slaves intended for a later version of the Julius Tomb (Florence, Accademia) and the two marble tondi left unfinished in 1505 provide fine examples of his direct carving technique and his consistent use of various sizes of claw chisel. No modelli exist for any paintings or frescoes, and only one cartoon (London, British Museum), made to help Condivi, has survived.
    Apart from the works mentioned above, there are others in Florence (Bargello, Santo Spirito - the house of his family, which contains relics of him - and Palazzo della Signoria) and in Siena, Rome (Santa Maria sopra Minerva), and St Petersburg (The Hermitage). There are also some 500 drawings by him, the majority of which are in Windsor (Royal Collection), Florence (Casa Buonarroti), and Paris.Source URL: https://meganfoxbuzz.blogspot.com/2010/05/
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Sunday, May 23, 2010

Emma Watson

    Emma Watson
    Emma was born in Paris, France on April 15, 1990. At school, she took the lead role in several plays, including Arthur: The Young Years and The Happy Prince. Along with plays, Emma participated in many other school productions, including the Daisy Pratt Poetry Competition, in which she won first place for her year at age seven. Harry Potter and the Sorcerer's Stone (2001), was Emma's debut into the world of professional acting.

    Away from the cinematic world, Emma enjoys playing hockey and debating. Although her hair is brown in the Harry Potter movies, she's naturally a blonde. She once dressed up as a witch for Halloween, but she had no idea that years later, she would be playing one in the Harry Potter movie. Her parents, Jacqueline, (b. 1958), a lawyer and Chris, who is also a lawyer, are divorced. Emma lives with her mother and younger brother Alex, (b. 1993)
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    Emma WatsonEmma WatsonEmma WatsonEmma WatsonEmma WatsonEmma WatsonEmma Watson
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